翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Petar Petrović Njegoš : ウィキペディア英語版
Petar II Petrović-Njegoš

Petar II Petrović-Njegoš (, ;  – ), commonly referred to simply as Njegoš, was a Prince-Bishop (''vladika'') of Montenegro, poet and philosopher whose works are widely considered some of the most important in Montenegrin and Serbian literature.
Njegoš was born in the village of Njeguši, near Montenegro's then-capital Cetinje. He was educated at several Montenegrin monasteries, and became the country's spiritual and political leader following the death of his uncle Petar I. After eliminating all initial domestic opposition to his rule, he concentrated on uniting Montenegro's tribes and establishing a centralized state. He introduced regular taxation, formed a personal guard and implemented a series of new laws to replace those composed by his predecessor many years earlier. His taxation policies proved extremely unpopular with the Montenegrin tribes, and were the cause of several revolts during his lifetime. Njegoš's reign was also defined by constant political and military struggle with the Ottoman Empire, and his attempts to expand Montenegro's territory while gaining unconditional recognition from the Sublime Porte. He was a proponent of uniting and liberating the Serb people, willing to concede his princely rights in exchange for a union with Serbia and his recognition as the religious leader of all Serbs (akin to a modern-day Patriarch of the Serbian Orthodox Church). Although unification between the two states did not occur during his lifetime, Njegoš laid some of the foundations of Yugoslavism and introduced modern political concepts to Montenegro.
Venerated as a poet and philosopher, Njegoš is well known for his epic poem ''The Mountain Wreath'', which is considered a masterpiece of Serbian and South Slavic literature, and the national epic of Montenegro, Serbia, and Yugoslavia. Njegoš has remained influential in Montenegro and neighbouring countries, and his works have influenced a number of disparate groups, including Serbian, Montenegrin and South Slav nationalists, as well as monarchists and communists.
==Early life and origins==

Petar II Petrović-Njegoš was born Radivoje "Rade" Petrović on in the mountain village of Njeguši, near Cetinje. His father, Tomislav "Tomo" Petrović (b. 1762–63), was a member of the Petrović clan of the Njeguši tribe of Katuni ''nahiya''. Njegoš's mother, Ivana Proroković, hailed from the hamlet of Mali Zalaz and was the daughter of Njeguši captain Lazo Proroković. There is no reliable information about her exact year of birth, but it is believed that she was about ten years younger than her husband. Tomo and Ivana had five children; their eldest son was Petar ("Pero"), Rade was their middle son and Jovan ("Joko") was their youngest. The couple's daughters were named Marija and Stana; Marija was married to a Montenegrin chieftain named Andrija Perović, the ''serdar'' (count) of Cuce, while Stana was married to Filip Đurašković, the ''serdar'' of Rijeka Crnojevića.
Njeguši is a remote village, situated near the Adriatic coast in western Montenegro (or Old Montenegro). The eponymous tribe is one of the oldest in Montenegro, and its history can be traced back to the 14th century. It likely came about as the result of intermarriages between Illyrians and South Slavic settlers during the 10th century, according to author Milovan Djilas. Njeguši was dominated by the Petrovićes' ancestral home, which was the only two-storied house in the village and was made entirely out of stone. Members of Njeguši's Petrović clan had been hereditary Serbian Orthodox Metropolitans (Prince-Bishops) of Cetinje since 1696; the title of Prince-Bishop ((セルビア語:''vladika'')) was passed from uncle to nephew, since Orthodox prelates were required to be celibate and could not have children of their own. The ruling Prince-Bishop was allowed to nominate his own successor, subject to approval by the Montenegrin chieftains and the people of Montenegro.
Njegoš spent his early years in Njeguši shepherding his father's flock, playing the ''gusle'' (a traditional one-stringed instrument) and attending family and church celebrations where stories of battles and past suffering were told. His education was rudimentary; he was taught how to read and write by monks at the Cetinje Monastery when he was twelve years old, studied Italian at the Savina Monastery for a year and spent eighteen months at the Topla Monastery near Herceg Novi, learning Russian and French under the tuition of reverend Josif Tropović. In October 1827, the young Njegoš was taken under the tutelage of the poet and playwright Sima Milutinović (nicknamed "Sarajlija"), who had come to Montenegro to serve as the official secretary of Njegoš's uncle, ''vladika'' Petar I. A Sarajevan Serb, Milutinović introduced Njegoš to poetry and inspired him to write down Serb folk tales which had been passed down orally through the centuries. An unconventional mentor, he also taught Njegoš sports, shooting and sword-fighting.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Petar II Petrović-Njegoš」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.